Between ideology and delight

For many of us, casting about in our memories for the books that we read as children brings back moments of delight and despair. These books spanned a wide range – many dull tomes were championed by our parents or teachers as 'instructive'; others, of far greater value to us, were treasured and traded among friends like precious black-market goods. These memories recall our fascination with worlds that straddled the familiar and the strange, speaking to our known worlds of childhood (both real and fantastical) while catering to our need to comprehend the bewildering world of adults.

In recent years, the cherished literature of childhood has come under critical scrutiny from multiple directions. Amar Chitra Katha, the once-popular comics series, has been dissected for its regressive class and nationalist agenda. Racial and gender stereotypes have been highlighted in the works of Enid Blyton, widely read in our region, and in popular vernacular texts, such as Sukumar Ray's playful Bangla verse for children.

A reorientation is required, one that could restore a sense of wonder to literature and invite children into new worlds of the imagination, even while being sensitive to the prejudice and deprivation experienced by many children in this region. And indeed, many promising initiatives have embraced this challenge, as attested to by the stories in this issue of Himal, even as authors and publishers are increasingly awakening to the need to delight, and not merely 'educate', our children. This new emphasis on enchantment (as seen in the cover artwork for this issue, by Delhi artist Nilima Eriyat) becomes all the more urgent given the need to restore lost childhoods, leave alone provide an education, to many children. Good literature for children might appear trivial to some, but it offers a potent ) becomes all the more urgent given the need to restore lost childhoods, leave alone provide an education, to many children. Good literature for children might appear trivial to some, but it offers a potent tool to equip them with the tools necessary for their survival – be it learning how to deal with the presence of landmines in their backyards or figuring out how to challenge the prejudice in their lives. Just as importantly, literature must remain a stronghold in which childhood remains intact against the pressures of the encroaching world of adult needs and anxieties.

The troll of childrens literature
By Tabish Khair

Writing for children entails reaching out for the imaginative and enchanting in ones own life

Bangla bizzare
By Harjinder Singh

Sukumar Rays fantasy world and deft use of language remain popular with todays children

Small town chest puff
By Sumana Roy

Revisiting Narayan Debnaths Batul the Great

Suntalis strange travels
By Kanak Mani Dixit

The last time we saw her, Suntali the Jogging Buffaloe had abandoned her calf in the hands of relations in the western Nepal midhills, and followed her hearts desire- that of running the mountain tracks. She was spotted heading up to the Chantang Plateau of western Tibet, where the high, open desert allowed much opportunity to trot.

 

Between literacy and reading
By V Geetha

The story of one publishers 'new' genre: the Tamil picture book

Making children with literature
By Aunohita Mojumdar

In Afghanistan, radio stories are helping to mend childhoods

  
Books that teach nothing
By Anushka Ravishankar

Let children read to be enthralled, not educated

  
Three decades later
By Rumana Husain

In a short period of time, Pakistans publishing industry has made great strides in childrens literature – though there is still a long way to go to ensure quality.

  

 
Beyond the national child
By Deeptha Achar & Deepa Sreenivas

How to create storybooks for a plural world

Befriending the yakas
By Richard Boyle

Richard Boyle interviews Prashani Rambukewella, author of Mythil's Secret

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