Illustration by Shruti Prabhu.
Illustration by Shruti Prabhu.

The hearth of the matter

A writer's personal reckoning with ancestral kitchens and the ways in which we occupy them.

Meher Mirza is an independent food, culture and travel writer based in Mumbai. She explores the history and sociology of Indian food and culture through a postcolonial prism, with a special focus on her community, the Parsis.

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(This article is part of 'Ways of eating': a mini-series on food in Southasia)

Sometimes, when I ask my father about his ancestral home in a small town in Gujarat, he tells me little details about the female spaces that he had hived away in his memory: of kolso (coal) powering the bellows of the kitchen; of his mother, my bapaiji, hunkered down on a wooden patlo tossing rotlis on the flame that was never entirely extinguished (it was kept blanketed by ash that smouldered through the night); of the rotli that was immediately yellowed with butter and sugar for a snack; of fingers of dried boomla (dried fish) charred over coal-smoke until they became crisp as icicles; of smoke-mottled copper vessels, scrubbed and scrubbed clean; of a bowl of ravo (semolina) sown with soft, fat, butter-fried raisins; of a glass of iced orange squash, the ice fresh from a brand new icebox (a novelty!). The borders of the kitchen frayed into other spaces – the window ledge on which doodh na puff (milk-cream) settles into a froth of bubbles chilled by the morning dew; the otlo (raised ground on the front porch), on which my grandmother would chat with neighbours and bargain stridently with knife-grinders and fisherwomen; the fields, in which umbadiyu was made by sealing root vegetables into a clay pot and placed on red hot charcoals, then interred in an underground pit and covered with earth overnight.

I have never seen this home. It is long gone, pulled down and replaced by a moraine of trash. These are all memories gleaned singly from conversations with my father. There is both sweetness and asperity in his telling of the day-long work of my grandmother, in kitchen air that was fuggish with coal and wood smoke. For me, in my city flat, I also think of the shared cosmologies that such a space betokens; of amity and kinship, of widened social spaces.

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