Artwork: Sworup Nhasiju / Himal Southasian (January 2011)
Artwork: Sworup Nhasiju / Himal Southasian (January 2011)

Dipped in the heart’s blood

Faiz's English-language prose, on the whole, does not carry the resonance of his Urdu poetry.

Politics and history are commensurate. At the worst of times, when upheaval and change are the order of the day, so are politics and poetry. There can be no better example of this axiom in the 20th century than the poetry of Faiz Ahmad Faiz, who wrote prolifically and compellingly on the events that shaped today's Subcontinent. Apart from his prodigious output as a poet, Faiz also wrote newspaper editorials and articles, and gave interviews on a range of subjects that, taken together, reveal a highly political mind beneath the poet's persona and  demonstrate the astonishing range of his concerns and interests. Our interest here is in Faiz's prose writings and the similarities and differences with his poetry. While admittedly the comparison itself – between prose and poetry – is unfair and the two are, by their very nature, as unalike as apples and oranges, when the writings come from the same pen they inevitably arouse curiosity and critique.

The War in Europe affected India and Indians in strange ways. After the Nazi invasion of the Soviet Union in 1941, Faiz's pacifism changed. He joined the welfare department of the British army in 1942 and was put in charge of publicity. He served in the army till 1947 and was given an MBE for his services, and raised to the rank of lieutenant-colonel. He wore a uniform and served His Majesty's Government, not for guts or glory but simply because he believed fascism had to be fought at all costs and by whatever means available. But with the war over and his teaching days behind him, Faiz found himself in search of a regular job.

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