A group of women and children observe the a room at the Jorasanko Thakurbari museum in Kolkata, the ancestral house of Rabindranath Tagore.
Rabindranath Tagore’s birthplace in Kolkata, now a museum, remains a site of pilgrimage for generations of Bengalis. A close reading of ‘Sahaj Path’, Tagore’s famous Bengali-language primer, reveals a disturbing undercurrent of casual casteism and tacit sexism.IMAGO / Hindustan Times

Uneasy lessons from Tagore’s beloved Bengali primer

In ‘Sahaj Path’ – Rabindranath Tagore’s much-loved work for young readers of Bengali – his views on class, caste and gender are inextricably intertwined with his aesthetics and pedagogy

Ria Modak is a musician and PhD student at Brown University studying modern Southasian history.

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“Cha chha ja jha” dale dale
bojha niye haate chale
In groups, the letters “cha chha ja jha”
Go to the market, carrying a load

In Sahaj Path, or “Easy Lessons”, Rabindranath Tagore’s multi-volume Bengali-language primer, the letters themselves are characters in a story. Published around 1930, and including striking linocut illustrations by the artist Nandalal Bose, designed to be coloured in by young readers, the volumes of Sahaj Path seamlessly fuse pedagogy and art. Nearly a century after their publication, they remain integral to Bengali education, and continue to be used as supplementary textbooks in West Bengal’s primary schools.

Rhyming couplets that introduce the letters of the Bengali alphabet – and the poetry and prose that follow – bring us into Tagore’s Bengal. This is a place lush with mango trees and coloured by the dark clouds of the monsoon, populated by mischievous animals and labouring peasants. A lone boatman’s meditative tune rings with the velar consonants “ka kha ga gha”, while two spirited monkeys seek shelter from the hissing “shri” of a torrential downpour. Readers discover the topography of each letter alongside Tagore’s idyllic vision of the Bengal countryside.

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