“A street child, or “tokai” leads a procession during the mass uprising of 1969. Police bullets
killed the child soon after the photograph was taken. Dhaka, 1969” by Rashid Talukder. Photograph courtesy: Rashid Talukder / Drik Picture Library / Chobi Mela
“A street child, or “tokai” leads a procession during the mass uprising of 1969. Police bullets killed the child soon after the photograph was taken. Dhaka, 1969” by Rashid Talukder. Photograph courtesy: Rashid Talukder / Drik Picture Library / Chobi Mela

Scoping the bigger picture

A photography festival in Dhaka seeks new answers to the erosion of public freedoms.

The trepidation was palpable on the opening day of Chobi Mela. There it was again, against all odds. One of the most important photo festivals in the world, Chobi Mela has been a remarkably regular feature since its opening edition in 2000, welcoming guests every other year to Dhaka in spite of Bangladesh's many political upheavals. Yet there was a worry that this year it might finally have to bow down and go quiet. Shahidul Alam, a photojournalist and the festival's founder, had been in jail for more than 100 days for his remarks on student protests in Dhaka, and was released on bail barely three months before the festival was due to open. What kind of a festival could possibly be scraped together within this short time frame?

Fast forward to 28 February 2019, and the opening rally of Chobi Mela was packed with guests. Alam's sharp introductory speech left no doubt about the organisers' intentions. "You are an artist, you have no business in politics," he recalled being told in detention. "And yet the role of photography is to show the truth to power," Alam said. The festival would serve precisely that purpose – there would be no going quiet.

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