A rectangular mirror in the ocean with the sun in its reflection during sunrise.
CDD20/Pixabay

The Patch: Himal Fiction Fest 2025

A short story

Varoon P. Anand is a theatre maker, arts researcher and educator, and Spanish-language journalist based in New Delhi and Artistic Director of Kaivalya Plays. His theatrical productions include "Unravel" (Goethe Institut Refunction grant, 2018), "Aguebao" (Gender Bender performing arts grant, 2019), "Mining Hate" (EU MediaFutures grant, 2022), Hindi adaptation of "Ollantay" (Embassy of Peru commission, 2022), "ABSURDO" (Instituto Cervantes commission, 2023), "I, Josef," and "Raum/Raah" (Institut für Auslandsbeziehungen CCP Synergy grant and Goethe Institut International Koproduction grant, 2025). Selected for First Draft Ideas Lab by Indian Ensemble for "Footage" (2020), he has received over 20 multilingual theatre commissions from Instituto Cervantes. Varoon has conducted research on safety in performing arts (India Foundation for the Arts grant, 2022) and completed fellowships including Arts for Good Fellowship (Singapore International Foundation, 2023) and Kaleidoscopic Fields (BeFantastic Fellowship, 2025). His arts education initiatives include establishing the Theatre Management Fellowship, Creativity Pioneers Fund (Moleskine Foundation, 2023), and Southeast Asia arts administration training (ArtLink-Mekong Cultural Hub grant, 2025). His work has been featured at Gender Bender Festival (2019), India Habitat Centre Festival (2019), Reconnect Festival Iran (2020), Almagro Theatre Festival Spain (2019), New Delhi Fringe Festival (2024), LTG Theatre Festival (2024), and Contemporary Asian Performing Arts Festival Göttingen (2024). He serves as Spanish-language correspondent for France 24 and Radio France International.

Published on

This story is part of the Himal Fiction Fest 2025, a showcase of original Southasian speculative fiction.

A rectangular mirror in the ocean with the sun in its reflection during sunrise.
Himal Fiction Fest 2025: Southasian speculative fiction

Editorial Note: This short story draws inspiration from Hermann Hesse’s novel Siddhartha and the director Andrei Tarkovsky’s films Stalker and Solaris, the latter based on the eponymous novel by Stanisław Lem.

THE FERRYMAN listened to the water. It spoke in whispers and groans, in the gentle lapping against the plastic beneath his feet and in the deep currents that pulled at the world suspended below. The ocean had changed, but it still spoke to those who knew how to listen. The Ferryman was among the few who did. 

Sometimes he would close his eyes and place his palms flat against the surface, feeling the tremors and vibrations that traveled through the debris – messages from a vast consciousness straining against the weight humans had placed upon it. Today, those vibrations carried unease, a warning of something stirring in the depths. 

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