A glowing moon in a black box full of water
CDD20/Pixabay

The Water Diviner: Himal Fiction Fest 2025

A short story

Shikhandin is the pen name of an Indian author. Her published books include, “Impetuous Women” (Penguin-Random House India), "Immoderate Men" (Speaking Tiger), “The Woman on the Red Oxide Floor” (Red River Story, India), “After Grief – Poems” (Red River, India), and "Vibhuti Cat" (Duckbill-Penguin-Random House India). In 2024 she was shortlisted for the Asian Prize for Short Fiction. She is a two times Pushcart nominee – Aeolian Harp 2019 (USA) and Cha: An Asian Literary Journal 2011 (Hong Kong), and a Best of the Net nominee – Yellow Arrow Publishing 2023 (USA). Her other honours include, runner up - George Floyd Short Story Contest 2020 (UK), winner - Children First Contest curated by Duckbill in association with Parag an initiative of Tata Trust in 2017, first prize - Brilliant Flash Fiction Contest 2019 (USA), runner up - Erbacce Poetry Prize 2018 (UK), winner 35th Moon Prize (Writing in a Woman's Voice: USA), first Runner up - The DNA-OoP Short Story Contest 2016 (India), second prize - India Currents Katha Short Story Contest 2016 (USA), first prize winner Anam Cara Short Fiction Competition 2012 (Ireland), long list - Bridport Poetry Prize 2006 (UK) and finalist - Aesthetica Poetry Contest 2010 (UK). Shikhandin’s prose and poetry have been widely published in India and abroad in online and print journals and anthologies.

Published on

This story is part of the Himal Fiction Fest 2025, a showcase of original Southasian speculative fiction.

A glowing moon in a black box full of water
Himal Fiction Fest 2025: Southasian speculative fiction

“Sing my name when afraid. O sing my name before the start of a journey. Sing my name with love and a pure heart. I was Radha. I was Meera. I was Fathima. I was Ashan Bibi too. I come to you now, my brothers and sisters, I the blind yet all-seeing Mehrunisa. Lose not hope nor live in dread. The door will open sooner than you know.”

Sulu knows this part of the long verse by heart. So she recites it with Mai, who kneels with her head covered and, in the dim light of the lamp, reads from the book, which is forbidden. The book is a slim volume, almost a pamphlet. It is old and brittle. Its words have been transferred from mouth to ear for generations. It was first chanted by the great Saint Mehrunisa herself, as she sat in a trance three centuries ago outside the rubble of her home. Since then it has been passed down, orally at first, and then in slim, clandestine books like the one Ammi is reading from. 

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