A woman stands in a crowd holding a black-and-white poster featuring a portrait of Gauri Lankesh and the words 'SILENCE... IS NO LONGER AN OPTION'. The background scene is a protest or vigil, with other people visible in the dimly lit background.
A 2017 protest in Delhi against the killing of the journalist Gauri Lankesh. Her murder triggered widespread outrage across India, and thousands took to the streets in both grief and protest.IMAGO / Newscom World

Why did they kill Gauri Lankesh?

Rollo Romig’s book uncovers the making of Gauri Lankesh, her fight against Hindu nationalism, and how the journalist’s murder exposes the cost of dissent in an increasingly intolerant India

Laxmi Murthy heads the Hri Institute for Southasian Research and Exchange and is a Contributing Editor for Himal Southasian.

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IN A LAND where the majority is quick to take offence, and “hurting religious sentiments” is a crime, any transgression can be deadly. The food we eat, the clothes we wear, the books we read, our language and, indeed, the words we speak, are subject to intense surveillance in India. The price to be paid for a perceived offence can range from abuse on social media, a court case that drags on for years, a physical attack or even death. Many of those deemed offensive are aware of the risks they take, yet they do not back down. Regardless, they speak up.

Rollo Romig’s eloquent telling of the story of the slain journalist Gauri Lankesh, one such fearless soul, is more than just a murder mystery, more than just an exposition of India’s politicised policing, its dysfunctional justice system, the vulnerability of these to power or money. In asking questions about why certain people murder, how they overcome moral qualms, and what gives them the ability to eliminate voices they dislike, Romig explores, with great finesse, the politics and philosophy of hate and intolerance. I Am on the Hit List: Murder and Myth-making in South India is also Romig’s paean to his adopted country by marriage, teetering somewhat dangerously between breathless admiration and cynical realism in how he views the grand mess that is India. But it is the empathy he musters and the access he secures to those who were close to Gauri that allows him to present an intimate and authentic picture of the activist-journalist in all her complexity.

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