Jarawa youth on a visit to the outside world, 1998.
Photo courtesy: Madhusree Mukerjee
Jarawa youth on a visit to the outside world, 1998. Photo courtesy: Madhusree Mukerjee

Love in the time of development

Pankaj Sekhsaria’s new novel about the Andaman islands turns real life into compelling prose.

The Last Wave is a love story, or rather, two. One is a fairly conventional tale of growing attraction between a man and a woman, thrown together not only by circumstance – confined as they are on a dungi, a small boat, with their five-person team, exploring a pristine coastline – but also by their shared wonder and concern at all that they see and hear. The other is between a journalist and an archipelago. Pankaj Sekhsaria is in love with the Andaman and Nicobar Islands, and it shows – in the occasional but compelling lyricism of his writing, and in the reverence with which his characters circumnavigate the Jarawas' territory, probing its mysteries without quite violating its boundaries:

Since the 1990s, the author has devoted himself to defending all that is magical about the emerald isles, their coral-studded waters, and the ancient culture that thrives within its glorious and primeval rainforest. The novel is a first for Sekhsaria, who has several other identities – journalist, environmentalist, activist, photographer, and academic.

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