A review of 'Then There Were No Witnesses' by Ahilan, translated by Geetha Sukumaran.
Film Southasia 2019 provided a glimpse of what Southasia is thinking, feeling, and creating.
Film Southasia continues to be a vibrant forum for discussing problems that cut across national borders.
A reinvigorated spiritual politics of Tibetan Buddhism could prove to be a way forward.
On the obscured political legacy of the dancer Bulbul Chowdhury.
Does the fictionalised retelling of Minnette de Silva’s story do justice to her life and work?
Homegrown technologies at the service of Indian nationalism in Hindi cinema.
‘Basanti’ and writing the New Woman in Odia literary culture
A photography festival in Dhaka seeks new answers to the erosion of public freedoms.
Binge-watching, binge-cleaning, Netflix-style.
