In 1342, Shamsuddin Iliyas Shah, ruler of the kingdom of Shatgaon, annexed two other Muslim kingdoms in medieval Bengal, shortly after all three had declared independence from Delhi. This enlarged
She inhabits, simultaneously and seamlessly, the two opposing connotations of the Tibetan term: one suggesting faith, the other family; the former symbolising renunciation, the latter attachment.
Living in the realm between social reality and scripted stage, the mobile theatre community in Assam not only entertains, but also reflects the absurdity of life.
